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Intro


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Intro


 

Drawings on large sheets of paper look like pictures...They are very simple black and white images - landscapes, portraits, windows, signs...For some reason, they compel you to stop, to peer, to become involved - to prove to be in the ephemeral present. Behind extensive line movements of the pencil, behind concentration and dilutions of light and shade - associations, sometimes free, but often programmed by the author, are revealed layer by layer.

 
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Idea 1


All illumination has its share of darkness...

Idea 1


All illumination has its share of darkness...

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Idea 2


The shadow is a place of complete insecurity, and the light is a naive confidence in the certainty of knowledge.

Idea 2


The shadow is a place of complete insecurity, and the light is a naive confidence in the certainty of knowledge.

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Idea 3


...weak and unimportant feelings might easily resurface, while other strong ones might live in perpetual obscurity: a dim light cast into near darnkess stands out more than bright light in full sun.

Idea 3


...weak and unimportant feelings might easily resurface, while other strong ones might live in perpetual obscurity: a dim light cast into near darnkess stands out more than bright light in full sun.

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End


Light is a metaphor for truth. Light, like truth, can be dark.

End


Light is a metaphor for truth. Light, like truth, can be dark.